Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world , a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
Seacount keeps a room on Twijnstraat, above the canal. The work is for furniture makers, the university presses and the cafes that need a plain record of a room. Days are plotted around the water light. Macro on the bench in the morning, a portrait by the window after lunch, grade before the bike courier.