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White
We match the paper white you already use in print.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
We match the paper white you already use in print.
The object first, while the canal light is still flat.
Portraits in the same room, so the wood and the face agree.
A second pair of eyes before the file leaves.
Print, web and a silent loop for the shop.